BILLIARDS compositions February 2014

A selection of work-in-progress from "BILLIARDS"...

Billiards Mesostics on Lewis Carroll

The Reverend C.L. "Dodo" Dodgson

aka Lewis Carroll

the third point in the Billiards triangle

(appearing, probably, as hand-drawn animation?)

"For first you write a sentence,

And then you chop it small;

Then mix the bits and sort them out

Just as they chance to fall:

The order of the phrases makes

No difference at all."

Referees Song during Dream sequence

Night serene
slip into the spiral of a dream
wheels spin slow
round all that you know
stars like balls
reflecting the roundness of it all
minds are quite
fantastic at night

Skiing and chasing
a rhino and a man
I know over a
landscape of roses
the moral I suppose
is

Dreams are what your mind does 
when you leave it alone, 
and

Night is right
for fire when thoughts are set alight
stars that flame
whatever their name
dreams that flicker
fizz and fly away
into the coming light
that drains away the magic night.


to the tune of "A Little Bit of Dreammusik"

The Rhythms That The Balls Produce

Wolfgang Amadeus vexes over
a train of thought that stuck in
to a rut the notes won't budge
and all his melodies are sludge

But when his brain has gone to shards
he finds the game of Billiards
a tonic for his malady of musical
direction
and in his introspection
balls are bouncing
bounding and rebounding
off each other and
the rhythms that the balls produce
are of inestimable use
to Wolfgang Amadeus.

to the tune of "Papageno Drunk", sung by the referee, or referees...

BILLIARDS structure now....

- BILLIARDS -

Overture

In which Raymond Scott, assisted by a chance-music machine, creates a tear in the fabric of space and time. Then all goes dark. Until Mozart is summoned, and steps into the Billiards room.

Act I

In the Billiards room, Mozart, struggling for an idea, is banging balls together. He entertains the spectators with a treatise on chance, balls, games, and composition. 

We witness the other side of the tear in the universe created by Raymond Scott, then all goes dark, and two balls suspended, vibrating in mid-air manifest the trill in the piece of music Mozart is attempting to compose, catalysing the completion of the composition.

- Interlude - 

In the madhouse, Antonin Artaud has become convinced the Lewis Carroll travelled in time to plagiarise the text of Jabberwocky from him.

Act II

Raymond Scott composes "In an Eighteenth Century Drawing Room", closely based on a composition of Mozart. It transpires that, due to the tear in the universe, Mozart actually plagiarised the piece from Raymond Scott.

The machines of Raymond Scott lead into a game with music and mathematics. Lewis Carroll manifests and takes notes on the music machines, then disappears.

- Interlude -

An Opera for dividing cells

Act III "The Melomaniac"

Mozart, alone, is looking into an Edwardian peep-show machine. An intense text and video collage ensues, we are seeing what Mozart is looking at in the machine, combining ideas and images of religion, dramatic music, the orgasm, sex, transcendence, passion, and gurning musicians. Mozart masturbates, and the Queen of the Night aria is besmirched.

Raymond Scott makes love to an electronic music machine then, in climax, becomes one with the machine, flies into space, into the stars.

- Interlude -

John Cage composes Atlas Eclipticalis, mapping the stars onto music paper.

Act IV

We all know that the most pleasant way to spend time after an intense sexual or religious experience (or both) is in sleep and dreams.

John Cage narrates the sleeping Mozart through a starlit trail on dreams and the imagination.

The Raymond-Scott-Erotico-Musico-Machine is flying around the planets, in bliss.

- Interlude -

Back on earth, John Cage is picking mushrooms.

Act V

Mozart wakes up.

And then, suddenly, the universe was torn.

And all went dark.

Then Mozart is in the middle of the Billiards table, rolling around on balls.

Then Mozart's head explodes, in glorious technicolour.

And the audience receive an approximation of all of Mozart's ideas simultaneously. And everything else too.

The Raymond Scott-Musico-Machine flies into the centre of the sun at an incomprehensible frequency and sets off the Big Bang.

* * *

Billiards - Act I - First compositions

Two Harpsichord Miniatures on Mozart

These two short sequences of music will form the basis of the first scene in Billiards, in which Mozart delivers a treatise on composition whilst rolling about on giant balls.